Winter insists on sticking around, much to my delight. Yesterday, I drove up to the Leelanau Peninsula. The forecast was for snow – less than an inch – and blowing wind. I got a little more than I bargained for. There was snow mixed with sleet and considerable wind for most of the three-hour drive. Upon arriving at the coast of Lake Michigan, I decided to backtrack to the forest in the Betsie River Valley where the trees would protect me from the bitter wind.
The Betsie River Valley is not an area I have explored much, although I canoed the length of the Betsie River over a four-day period about 25 years ago. Driving over snow covered country roads, I came upon the Borwell Preserve at Misty Acres on the road that runs along the line between Manistee and Benzie Counties.
The Preserve, which is owned and managed by the Grand Traverse Regional Land Conservancy, includes 360 acres of hardwood forest and a farm that is home to a small herd of sustainably managed Belted Galloway cattle. There is a convenient parking area and a short loop trail that runs along the top of a ravine through which a creek makes its way to the Betsie.
The hike begins at the parking lot. Two tenths of a mile along the trail, it splits into a half mile loop.
The windblown snow stuck to the north side of the trees in the forest making for a beautiful walk.
One of my goals for the trip was to find some photos to blend together in a photo montage, something I learned about at a recent photography conference. In the field I felt as though I came up empty, but when I got home and looked at the photos on my screen I saw the potential and created this photo montage by blending a straight shot of the trees in the forest with an intentionally blurred image of yellow leaves that are still hanging on, waiting for spring.
On Sunday, which was the first day of spring in the northern hemisphere, I visited the Silver Lake Sand Dunes. The dunes are 1.5 miles wide and 3 miles long, comprising around 1,875 acres between Lake Michigan and Silver Lake. The dunes are a state park divided into three areas – a natural area for hiking sandwiched between a section for off road vehicles and a section for commercial dune rides. I was fortunate that neither section for vehicles was open, so I could explore the dunes in peace.
I arrived shortly before sunrise. I had not been looking forward to the steep climb through sand to get to the top of the dune, but found that the sand was still frozen and the hike was not a matter of two steps forward and one step sliding back through the sand. I was thankful that it was so easy going.
The moon was low in the sky as I reached to top. While there was no snow on the dunes, in some areas there was a thick layer of frost, which gave a ghostly shine in some parts of the dune.
Early morning on the dunes is lovely as the sunlight strikes the peaks and works its way into the shadows.
The way the sunlight plays on the dune is wonderful. It can be dark and moody or light and soft,depending on which side of a dune you are standing.
One of the fun things to photograph in the dunes are the trees that were once buried by the sand but have now been revealed by the work of the wind. I came across a ghost forest that I don’t believe had been exposed on either of my previous visits.
In my past visits, I had never seen a wall of dark sand as in the photo below. I think this occurs because the sand is frozen and not shifting. I will be interesting to see how this wall is transformed once the thaw comes and the wind can have its way.
I hiked for close to three miles in the dunes and got to a point where I could see the forested land to the south of the park. I look forward to venturing back later this year and having another crack at photographing this beautiful place.
Here are links to photos from my two earlier visits to the sand dunes in 2018 and 2020.
Here’s a little something different from me. Not my usual landscape work.
As I was eating breakfast yesterday, the local news ran a story about a commercial building that burned overnight. The building was on my way to work so I grabbed my camera and tried my hand a photojournalism. (Click on an image to see it enlarged.)
We are at the end of February. Meteorological winter ends today in the northern hemisphere. Undoubtedly, we will see more snow and cold weather in March, but according to our local news warmer than normal temperatures are predicted for the next several weeks. For those of us who love winter, this is news is not welcome. But the earth continues to spin and will seasons will continue to change.
I thought I would take this opportunity to post a few photos I took this winter but have not shared on this blog. These images were made at the end of January on the Leelanau Peninsula.
The top row of photos were taken on Loon Lake, where a pair of ice fishers were setting up in the snow. The cherry trees in the second row were farther north on the peninsula as were the grape vines, that are silhouetted against the snow.
North Unity was a community founded in 1855 on Good Harbor Bay in Leelanau County, Michigan. The community was founded by families from Bohemia, which today is part of the Czech Republic and Germany. Francis and Antonia Kraitz were two of the first members of the community. They built this cabin in 1856.
The Kraitz cabin is just inside the border of the Sleeping Bear Dunes National Lakeshore. When the National Park Service took possession of the cabin, it was covered with clapboard siding and appeared to be a run-down 1940s-era cottage. But, upon removing the siding, the Park Service found a well-preserved log cabin. The cabin has just recently been restored by volunteers from Preserve Historic Sleeping Bear, a nonprofit partner of the National Park.
The Bohemian community of North Unity was were served by itinerant priests from the Catholic mission at Peshawbestown. Services were conducted in the homes of the congregation until this church building was completed in 1886. Today, the St. Joseph Parish has been merged with St. Rita’s Parish in Maple City. Mass is conducted in the St. Joseph Church only twice a year.
North Unity was established Shalda Creek where it flows into Good Harbor Bay.
This is one of my favorite places in the National Lakeshore to take photographs. The area is changing due to nature’s engineers. Beavers have built a small dam on Shalda Creek flooding the area behind it.
One final shot. This one was taken on Narada Lake. The old North Unity School sits on the shore of Narada Lake. I wasn’t able to get a good photo of it yesterday. (It is basically the same construction as the Kraitz cabin.) But, I thought this image was worth taking.
It seems that “real winter” has arrived at last. We received over a foot of snow in West Michigan this week and have seen the windchill dip to around zero. I headed to Honey Creek and used a long lens to get in close to the ice forming in the stream.
“Woodland Studies,” an exhibit of six of my photos, opened today at the Glen Arbor Arts Center in Glen Arbor, Michigan. The exhibit will run until April 13. The exhibit can be viewed online at https://glenarborart.org/events/exhibit-woodland-studies/. That page also has a link to a video of a conversation about the exhibit that I had with Gallery Manager Sarah Bearup-Neal. I have also embedded that conversation below.
[Note: “Woodland Studies” is no longer available on the Glen Arbor Arts Center website. You can see the photos in the exhibit on my website by clicking here.]
I am grateful to the Glen Arbor Arts Center for hosting this show and especially to Sarah Bearup-Neal for guiding me through the process of preparing my first exhibit.
The year is drawing to a close and it is time to look back and select my favorite photos taken in 2021. I prefer to call them my “favorite” rather than my “best” photos. I am still learning the craft and the art of photography and still trying to figure out what “best” means. But, each of these photos is among the most personally satisfying photos I took this year.
Let’s begin with this photo of a thorny stick rising out of the snow. I was standing in the middle of a stream taking a photo of snow covered rocks when I looked and saw this stick on the shore. The contrast between the severity of the thorns and the softness of the snow made this image for me.
It was a cold morning in March when I took this photo on the Boardman River near Traverse City shortly before sunrise. The subtle purple and orange colors pulled me into the scene.
Early one Saturday morning, I took my camera downtown Grand Rapids. I rarely shoot in the urban environment, but this particular morning I just needed to get out with my camera. The light and shadow and the lack of any people in the scene reminded me of a painting by Edward Hopper. Hopper’s influence on photographers was highlighted in a 2009 exhibit by the Fraenkel Gallery and in “Edward Hopper and Company,” the book that accompanied the exhibition.
One of my favorite places to photograph is where the land meets water. I am drawn to the sound of moving water and to the reflections of the trees in the water. I used a slow shutter speed in this photo to smooth out the water in Honey Creek and accentuate the reflections.
I had the chance to visit Cape Cod this summer and was struck by the beauty of the salt marshes. I spent several mornings at the Sandwich Marsh and was grabbed by the color palette of greens, blues and purples. This shot too reminds me of Edward Hopper, who, of course, lived and painted on Cape Cod.
Our second week on Cape Cod, we stayed on the Brewster Flats, the widest expanse of tidal flats in North America. At low tide, we could walk out nearly a mile before coming to the ocean’s edge.
As I walked along the Houdek Dunes Trail this fall, the ferns had already turned brown and had begun to curl. I wasn’t sure there was a picture until I got in close and found this shot. I liked the shallow depth of field and contrast.
I traveled to Sleeping Bear Dunes 16 times in 2021, at least once in every month except December. My practice is to leave home early enough to make the three-hour drive in time to arrive an hour before sunrise, hoping for a beautiful morning glow. I have stood on the culvert where Shalda Creek flows underneath Bohemian Road many times waiting for that glow. That’s where I took this photo in November. This photo brings to mind that last few sentences of Thoreau’s Walden: “Only that day dawns to which we are awake. There is more day to dawn. The sun is but a morning star.”
The reflection of fall foliage in a beaver pond on Shalda Creek made this image among my favorites. For me, the image has an abstract quality that I like.
This is one of my “U-Turn,” photos. I was driving home from Sleeping Bear when I passed this lone tree in a farmer’s field. I turned the car around, got out and set up my tripod to capture the scene. Landscape photographers gush about the light around sunrise and sunset. But in the late fall and winter, when the sun is not so high in the sky, mid-afternoon light can work just as well. The low angle of the light in this photo creates the shadows in the furrows and the deep, long shadow of the lone tree’s trunk.
I planned this shot even before I arrived in downtown Detroit during the first couple of days of December on a business trip. I had seen the American Coney Island on a similar trip two years ago. I remembered that the scene would be near my hotel and so I took along a small camera and travel tripod. I was fortunate to have some rain that reflected the light on the sidewalk and fortunate to have a lone diner in the restaurant. This is yet another image that reminds me of the work of Edward Hopper. Nighthawks in a coney island?
I came across this gathering of roots three years ago when visiting the Teichner Preserve on Lime Lake near Maple City, Michigan. I returned four or five times over the past three years looking for the right angle to get the compelling image I wanted. I finally found it on my second visit this year. I call the image “Gathering Place.” The image speaks to me about community. I have been asked whether I warped this image to make the trees spread out from the middle. I did not. Nature did. The trees on the very left of the image hang out over Lime Lake. I suspect that in a few years the trees on the left will succumb to the waves that eat away at the shoreline and then fall into the lake.
I am grateful that “Gathering Place” was selected by the editors of Lenswork Magazine for publication in its annual edition of “Our Magnificent Planet,” and will be included in “Woodland Studies,” an exhibit of my work this winter at the Glen Arbor Art Center.
I have taken over 8,000 photos in 2021. Yet, selecting a dozen favorites was not that difficult. The good ones stand out to me. Most of the images I took are pretty underwhelming and can be chalked up to learning the craft and art of photography – training the eye and developing the skill to capture what my mind’s eye sees. That might be discouraging to some, but to me it is all part of paying my dues. As Ansel Adams said, a dozen significant photographs in a year is “a pretty good crop.”
Here are links to my favorite images of 2019 and 2020.
As I did last year, I submitted three photos to Lenswork Magazine for possible inclusion in the 2021 edition of “Our Magnificent Planet.” I received word a couple of months ago that one of my photos had been selected, but they did not tell me which one. Today, I received my copy of the book and learned that they had selected “Gathering Place” for publication.
I am excited to share information about “Woodland Studies,” a small exhibition of my photographs that will open at the Glen Arbor Art Center on January 7, 2022. The details can be found by following this link. If you happen to be on the Leelenau Peninsula this winter, stop by and have a look. If you can’t make it, the photos will also be available for viewing online at the link above.
[Note: “Woodland Studies” is no longer available on the Glen Arbor Arts Center website. You can see the photos in the exhibit on my website by clicking here.]
I am grateful to the Glen Arbor Art Center for hosting this exhibition, the first of my work. I have enjoyed working with Gallery Director Sarah Bearup-Neal and have learned a great deal in preparing the prints for exhibit.
