Pieces of a Puzzle

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This past Saturday, I rose early and began driving to the Leelanau Peninsula in time to get there before dawn. The weather forecast called for several hours of fog and I saw lots of it on my drive. But as I got to the peninsula, the fog seemed always to be one step ahead of me. I caught up with it at Bass Lake, but when I stepped out of my car, I was swarmed with hundreds of mosquitos. I had bug spray, but I felt outgunned. So I retreated to my car and continued my drive north. In the end, I caught up with the tail end of the fog at Port Oneida and Sunset Shores.

I made a number of images. They are pretty good, but none of them stands on its own. Nor do they tell a story when viewed together. But each of them could be a piece of a puzzle in a future story. So I have processed and cataloged them hoping that I can use them in some future posts. I decided, though, to share them here, with a brief explanation of why they caught my eye.

The beach at Sunset Shores was still engulfed in fog when I arrived. I have photographed here for a couple of years. Unlike other beaches I have visited in the park, the beach at Sunset Shores has some erratic stones that add interest. I have photographed the beach in different seasons and at different times of the day and night. These images add to a collection of photographs that may sometime become a study.

When I returned to my car, this tree stood out to me. The hints of magenta and yellow in the tree’s smooth bark were such a contrast to the deep, rich greens in the forest. How I would ever use this photo is not clear to me, but the contrast between this tree and the others in the forest compelled me to photograph it.

The barn on the Dechow Farm is known to anyone who drives though Port Oneida on M-22. There’s nothing really special about this barn itself. But, the way the low-lying clouds shrouded the hill behind the barn got me to pull off the road and take a photo.

Fog rose behind the trees in the field across the road from the Dechow Barn. The sun was breaking into the field from the east. The scene was serene, but by the time I set up my tripod and leveled my camera, the magic beams of light began to be snuffed out by the clouds. The light would have been the star of the photo had it lingered. Instead, the star of the photo is the feeling of calm as the fog softens the view.

I have taken many photos of the outbuildings on the Carsten Burfiend farm, but never from this angle. The fog totally obscured the hill in the distance. The image by itself has a hard time standing on its own, but it may contribute to some future story.

The farms at Port Oneida no longer operate. They were acquired by the National Park Service over 50 years ago. The buildings now stand witness to a past community that eked out a hard living farming the sandy soil. The buildings are not, however, the only witnesses. If you look closely, you can find other signs of the past. Among those signs are fence posts that still stand, though the fences themselves are long gone.

A Foggy Memorial Day

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I woke up to dense fog today, so I grabbed my camera and headed out the door. Here’s some random photographs from my morning shoot. I took the first two in East Grand Rapids.

After shooting close to home, I drove 17 miles east to Lowell, Michigan, where I took photos of some of the King Milling Company’s silos. King Milling is a massive operation that I have enjoyed photographing for a number of years (see 2017 and 2020). The fog presented a opportunity for a new look.

Just north of Lowell, on the Flat River, is Fallasburg Village, which was founded in the 1830’s by John Wesley Fallass and his brother Silas. Fallasburg Village is designated as a “Historical District” with the National Register of Historic Places. The 100-foot long Fallasburg covered bridge was built in 1871.

John Wesley Fallas’s sons built this barn in 1896, on property given to them by their father.

Spring at Amon Park

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On Saturday, I took a hike at Amon Park, a 331 acre preserve six miles west of Grand Rapids, to photograph spring flowers. This time of year, the forest floor in parts of the park is covered with trillium and Virginia bluebells. Here are a few photos from my hike. (By the time I got to the bluebells, they were flooded with sunlight, so I did not photograph them.)

A Return Visit to the Birches at Houdek Dunes

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I visited the Houdek Dunes Natural Area in Leelanau County on Saturday. Spring has yet to really take hold. I saw little new growth anywhere. But that’s not why I went there. Houdek Dunes has a number of amazing birch trees, some of which are over 100 years old – unreal for a birch. For some reason, the birches at Houdek Dunes tend to live much longer than normal. Many of the trees have succumbed to old age and are lying on the ground. Those are the ones I came to see.

As I walk through our forests, more and more I am drawn to the downed trees. The fallen trees often have a sculptural character to them.

Throughout the preserve, decomposing birch trees lie on the ground, slowly merging into the earth. The sapwood and heartwood decay first, leaving the birch’s bark as a hollow witness to a tree that once stood tall.

The decompostion process is hastened by bugs, worms and fungi. I found this fungus on the end of a decaying log worthy of a photograph. I think it is called bitter oyster (panellus stipticus), but I can’t be sure of that. No matter, I found it beautiful.

This old tree is a favorite of mine. Whenever I visit Houdek Dunes, I make sure to pay my respects. How much longer before this tree succumbs to old age and begins the process of becoming soil?

You can see photos from my previous visits to Houdek Dunes here and here.

Churches of the Rhine: The Cologne Cathedral

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The Cologne Cathedral is the third tallest church in Europe and, at 157 meters (515 feet), the tallest twin-spired church in the world. With a normal camera, it is impossible to get a properly proportioned photo of the church from the plaza in front of it. This photo is a vertical panoramic image in which I stitched together seven photos to capture the entire front facade in one frame.

Stepping down the street a block away allows for a photo that captures the church with proper proportions.

Construction of gothic structure began in 1248, but stopped around 1560. In 1814 an effort was made to complete the construction but sufficient funding did not become available until the 1840s. The building was completed according to its original medieval plan in 1880.

Today, work on restoring and preserving the cathedral continues.

The meticulous effort to clean the facade is evident in these photo.

The sculpture below is the Archangel Michael, whose shield bears the phrase “Quis ut Deus,” or “Who [is] like God?” Michael’s answer, no one is comparable to God, is his defiant response to Lucifer’s arrogance.

The cathedral is Germany’s most visited landmark, attracting an average of 6 million people a year. The morning we toured Cologne, the cathedral was closed for tours while the church held a service attended by thousands for the city’s professional soccer team. We were, however, able to tour the cathedral in the afternoon.

The window in the south transept is unlike the others. Like the others it once pictured secular and Christian rulers. But, it destroyed when the cathedral was bombed in World War II. (The cathedral suffered fourteen hits by aerial bombs during the war, but nevertheless remained standing in a city that was completely flattened by allied bombing.) The window in the south transept was replaced 11,263 glass squares in 72 colors, 9.6 cm by 9.6 cm. The squares were placed randomly in the window. The window was sharply criticized for its lack of imagery. Cologne cardinal Joachim Meisner was quoted as saying “The window would be better suited to a mosque or another house of prayer. If we’re going to have a new window, it should be one that reflects our faith. Not just any.”

The window casts a gorgeous reflection on the adjacent wall. This is one of my favorite photographs from our trip.

Among the relics in the cathedral is a reliquary said to contain the remains of the three kings who visited the Christ child in Bethlehem.

 Our tour was only an hour long, not nearly long enough to take in everything there is to see at the cathedral. Here are a few more photos from our visit.

Churches on the Rhine: Basilica of St. Castor, Koblenz, Germany

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Our cruise ship docked at Deutches Eck, the point of land at the confluence of the Moselle and Rhine Rivers. Nearby is the Basilica of St. Castor. (The photo of the church is a little bit wonky, but it was the best I could do on our walking tour of the old town.) Saint Castor was a 4th century missionary on the Moselle.

The first church of St. Castor was built between 817 and 836. The church became a part of the Monastery of St. Castor and was an important meeting place for emperors and kings and their descendants.

The two towers replaced the church’s original towers in 1103. Reconstruction at the church was begun in 1160. In 1200, the two towers were increased from five stories to seven. By the end of the 13th century the church’s flat roof was replaced by a vaulted ceiling.

In 1991, Pope John Paul II promoted Saint Castor to a basilica minor.

A new organ was installed in the Basilica in 2014. The organ has 3,679 individual pipes

Churches on the Rhine: The Speyer Cathedral

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Conrad II, the Emperor of the Holy Roman Empire, ordered the construction of what would then be the world’s largest church in 1025 in the town of Speyer, Germany. Construction of the Speyer Cathedral, officially the Imperial Cathedral Basilica of the Assumption and St. Stephen, was begun in 1030 and substantially completed in 1061. Emperor Conrad did not live to see the completion of the church. He died in 1039 and was buried in the cathedral while it was still under construction.

Around 1090, Conrad’s grandson, Emperor Henry IV, began a construction project to enlarge the cathedral. The expanded cathedral was completed in 1106, the year of Henry’s IV death.

As recounted in Wikipedia, “[t]he building became a political issue: the enlargement of the cathedral in the small village of Speyer with only around 500 inhabitants was a blunt provocation for the papacy. The emperor not only laid claim to secular but also to ecclesiastical power, and with the magnificence and splendour of this cathedral he underlined this bold demand. The purpose of the building, already a strong motive for Conrad, was the emperor’s “claim to a representative imperial Roman architecture” in light of the continuing struggle with Pope Gregory VII. Thus, Speyer Cathedral is also seen as a symbol of the Investiture Controversy.”

In 1981, the Speyer Cathedral was designated a UNESCO World Heritage Site. The cathedral is a significant, and the largest, example of Romanesque architecture.

Is Photography Dead? Manipulated Images in the Digital Age

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Synthetic image, not a photograph, generated by Google’s Nano Banana Pro in response to a text prompt by Rodney Martin, November 2025.

I will be giving a presentation on photography in the digital age at the Glen Arbor Art Center in Glen Arbor, Michigan, on April 25. As photography has moved out of the darkroom and into the computer, the ability to “doctor” an image or to create one using artificial intelligence has caused some to conclude that photography is dead. In this presentation, I will explore the impact of digital photography and the implications of generative artificial intelligence on our understanding of photographs. My hope is that those who participate will come away as savvier consumers of photography in the digital age.

Seating is limited. Registration and a small fee are required. The link to register is at https://glenarborart.org/product/is-photography-dead-manipulated-images-in-the-digital-age/

The Stolpersteine Project

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As we toured cities on the Rhine River, we came across little memorials embedded in the sidewalk. Our tour guide in Strasbourg, France, explained that they were stolpersteines or “stumbling stones,” placed there to commemorate the lives of Jews, Sinti and Roma, politically persecuted people, homosexuals, Jehovah’s Witnesses and euthanasia victims of National Socialism

The little memorials were conceived by artist Gunter Demnig in the early 1990s. They are placed in front of homes where the Nazis captured persecuted persons and sent them to concentration camps. Each stolpersteine begins with the words “Here lived” and provides information about the person being memorialized. In the case of Alfred Toczek, below, he was deported in 1941 and sent to Mauthausen, a Nazi concentration camp in Austria.

As of August 2024, the project had placed over 107,000 stones in nearly 1,900 municipalities in Austria, Belgium, Denmark, Germany, Finland, France, Greece, Great Britain, Ireland, Italy, Croatia, Latvia, Lithuania, Liechtenstein, Luxembourg, the Netherlands, Norway, Poland, the Republic of Moldova, Romania, Russia, Sweden, Switzerland, Serbia, Slovakia, Slovenia, Spain, the Czech Republic, Ukraine, and Hungary.

We came across a few stolpersteines in Strasbourg and Koblenz, but saw them more frequently in Amsterdam, where we spent several days.

Jurriaan Haak and Henriette Haak Van Eek were taken by the Nazis in 1943 when they were in the 50s. They were sent initially to the Vught concentration camp in the north of the Netherlands. Vught was a transit camp from which Dutch Jews were sent to extermination camps. Jurriaan was sent to Sachsenhausen; Henriette was sent to Reichenbach.

In some instances the Nazis moved quickly to kill the persons they arrested. Two members of the Messias family were captured in Amsterdam on November 4, 1943. Both were in their 70s and were murdered in Auschwitz fifteen days later, on November 19, 1943. At their age, the Nazis had little use for them. Mary Messias successfully avoided capture and survived.

This sidewalk in front of this house at 43 Jacob Obrechtstraat in Amsterdam has nine stolpersteines, including six memorializing members of the De Hoop family.

Members of the De Hoop family were captured in Amsterdam on February 6, 1943 and put to death in Aushwitz six days later.

In places where hundreds of stolpersteines would need to be placed. the project lays a stolperschwelle, or stumbling threshold, that memorializes the group. Fifty stolperschwellen have been placed, although we did not come upon any of them.

For more information about the Stolpersteine Project you can go to its website.