Fog on the Water

The weather forecast called for our first frost of the season last night. That meant we would likely see fog rising from inland lakes. So I made the easy trip the Yankee Springs Recreation Area and Hall Lake. I have visited Hall Lake many times in the fall. This year the colors were not as vibrant as on past visits, but the fog made for some fun photography.

I arrived about an hour before sunrise and watched the scene reveal itself as the sky lightened and the sun, still below the horizon, painted the clouds.

I focused my attention on the smaller of two islands in the lake taking several photos as the sun began to illuminate it.

2024 in Review

As I write this, 2024 is quickly coming to a close.  Time once again to look back and select some photos from this year that I especially like.  

This year was a little different from previous years because my main photography focus for the year was researching and preparing two lectures that I delivered in November at the Osher Lifelong Learning Institute (“OLLI”) at Aquinas College.  The lectures were titled, “Editing Reality: The History of Manipulated Photography.”  The first lecture dealt with the period before the digital age, while the second began with the digital age and got into the consideration of the impact of artificial intelligence on photography.  I had a blast doing the research, reading a wide range of sources and, though the lectures are done, my reading continues to focus on the history of photography.

Incidentally, I was honored that OLLI sought my permission to use my photographs on their Fall and Winter Course Catalogs.

I am principally a landscape photographer who shoots in what some have termed, “the eyewitness tradition.” I edit my photos to create a realistic image that truthfully presents how I saw what was before me when I clicked the shutter.  I do not use generative artificial intelligence or insert items into my images that were not before me.  That said, this year I experimented making multiple exposure and montage images.  There were two that I particularly liked.

I created this first image from three exposures taken of the side of a dumpster at the East Grand Rapids Public Works Facility.  I blended them together in Photoshop.  I rather liked the result.

This tree is one of my favorites. Standing alone in a farmer’s field, it reveals its majesty.  On the day I took this photo, the sky was cloudless. While the sun was shining and the sky was a beautiful blue, to my eye, the sky offered nothing of interest.  Photoshop now allows one to replace the sky with a menu of clouds.  Doing so seems disingenuous and certainly would violate the eyewitness tradition I adhere to. Rather than create an artificial photo and present it as real, I chose to try something a little different – a composite of two photographs, one the photo of the tree and the field, the other an image of the bark of a tree for the sky.  

Earlier this year, the Glen Arbor Arts Center put out a call for entries to a juried show titled “The Sky is Always There.” The prospectus called for entries that “move beyond direct representation, beyond portraits of puffy clouds.” I was eager to try to get something accepted for the show, but my photography is very representational.  I gave it much thought but was coming up empty. Then, after creating cyanotypes of leaves and twigs with my grandchildren I got the idea of submitting photographs of the night sky processed as cyanotypes for this exhibition. 

I selected three digital images – a moonrise, the Milky Way, and the northern lights – to create a triptych. From the digital files, I created monochrome negatives of each image.  I used a mixture of ammonium iron citrate and potassium ferricyanide to sensitize hot-pressed, 100% cotton watercolor paper to UV light.  Then I made contact prints from each negative by exposing the negative and paper to a UV light source. To deepen the blues, I bathed the final prints in hydrogen peroxide.  

I am pleased to say that the juror selected my entry for the exhibit, which will run from January 10 to March 20, 2025, at the Glen Arbor Arts Center in Glen Arbor, Michigan.

Here’s a selection of more straightforward images that are among my favorites for 2024:

“Sunrise on Sleeping Bear Bay,” Sleeping Bear Dunes National Lakeshore

“Hall Lake Morning,” Yankee Springs Recreation Area

“Lake Superior Lakeshore from Above,” Pictured Rocks National Lakeshore

“Lake Superior Stones,” George Hite Dunes, Eagle Harbor, Michigan

“Milky Way,” Port Oneida Rural Historic District, Sleeping Bear Dunes National Lakeshore

“Northern Lights over White Lake,” Wabaningo, Michigan

“Hanging On,” Teichner Preserve: The Leelanau Conservancy

“Fall Foliage,” Howard and Mary Dunn Edwards Nature Sanctuary, the Grand Traverse Regional Land Conservancy

“Turkey Tail and Maple Leaf,” Houdek Dunes Natural Area: The Leelanau Conservancy

In the coming year, I will continue to research the history of photography. Of particular interest to me are cabinet cards created in the second half of the 19th century. I will also continue to deepen my understanding of generative artificial intelligence and its impact of the art of photography. And, of course, I will continue to get out with my camera in an effort to capture nature’s beauty.

Happy New Year

Here are links to my my year-end review of images in 201920202021, 2022 and 2024.

Another Color Show

The fall colors in northern Michigan are past their peak, but I was still treated to a beautiful color show yesterday at the Sleeping Bear Dunes National Lakeshore. This first photo, taken where Shalda Creek crosses Bohemian Road, reminds me of the final words from Thoreau’s Walden Pond: “Only that day dawns to which we are awake. There is more day to dawn. The sun is but a morning star.”

Shalda Creek snakes through Sleeping Bear just south of Good Harbor Bay and pours out into the bay. Shortly before it does so the beaver have built a dam creating a pond in the forest.

As I passed by, I noticed the reflection of the golden leaves in the still water of the pond and stopped to take these photos.

Driving home along Indian Hill Road in Benzie County, I pulled over to take this photo of a lone tree in a plowed field.

Chasing Fall Colors

The fall colors have been late in coming to Michigan this year. I am guessing that we are still a couple of weeks away from peak colors in southwest lower Michigan. I drove north yesterday hoping to find nature’s brilliant display. I can report that the area on my route from Cedar Springs north to Thompsonville put on quite a show. But as I reached the Leelanau Peninsula, it remained pretty green. That’s good for the tourist industry on the peninsula, as leaf peepers will continue to be drawn to the area, extending the season. It was not a bust, by any means. There were pockets of color, harbingers of what is yet to come.

I began the day in the field below the iconic D.H. Day barns near Glen Haven. I waited in darkness for the sun to rise and light up the clouds from underneath. That never quite happened, but the image below was still worth the wait.

I found some dramatic red colors on Tucker Lake, beneath Miller Hill.

I hiked along the Crystal River for a bit and came upon salmon spawning on a gravel bed. It was amazing to watch as the dominant male chased off other males and the females prepared to lay their eggs.

This trout stood still long enough for me to capture a semi-decent photo.

Here’s a dash of color I found along Bohemian Road (CR 669) near Shalda Creek.

The weather was interesting, with intermittent rain showers and sunshine. I took the photos above in my rain gear, holding a large umbrella over my tripod and camera. Rather than hiking in the occasional rain shower, I stayed close to my car and visited a few of the historic farms in the National Lakeshore.

The Bufka farm is near the northern boundary of the National Lakeshore, along M-22. It sits down in a valley below the highway. The farm was established in the 1850’s by Joseph Bergman, an immigrant from Germany. Bergman built a log cabin that still stands today and can be seen in the photo below (the building farthest to the right). Charles Bufka purchased the 200 acre farm in 1880 and, over time, built the buildings (other than the chicken coop) seen in the photo. Upon purchasing the farm, he also built a house. The cabin was converted to a chicken coop in 1940. More information about the Bufka farm can be found here, on the National Park Service’s website.

I visited the Ole and Magdalena Olsen farm on Kelderhouse Road in the Port Oneida Rural Historic District. Ole Olsen was brought to North America from Norway by his grandparents in 1869 when he was 14. His grandparents settled in Sarnia, Ontario. Ole went to live with his uncle in Northport, on the Leelanau Peninsula. But soon his uncle and his family left to stake a claim in Minnesota under the Homestead Act, leaving Ole alone in Northern Michigan. In the early 1870s, Ole worked in the logging industry. In 1875, her met and married Magdalena Burfiend, whose father, Carsten, owned a 275 acre farm on what was the most valuable land in Port Oneida. With the help of Carsten Burfiend, Ole and Magdalena purchased their farm in 1877.

I took just a few photos on the Olsen farm, including this photo of the foundation for the barn.

The photo below is of the pig pen on the Olsen farm. Someone had placed a row of apples from a nearby tree on the window sill.

The photo below is of the farm buildings on Carsten Burfiend’s farm, with a lovely splash of color in the background.

As I left to return home, I drove by the Tweedle Farm on Norconk Road, south of the town of Empire.

Before driving home, I took one more photograph, a panoramic shot of the trees along Aral Road in Benzie County. While the colors had generally not reached their peak in the areas I visited, there were still areas of resplendent displays of fall foliage. Rain or shine – and I experienced both – it was well worth the trip.

Once in a Blue Moon

On Saturday, we had a full moon for the second time in October. The moon set at 8:10 a.m., so I thought it would be good time to capture a photo of the moon close to the horizon. Things didn’t quite go as I had planned, but it was a wonderful morning for photography.

Prior to my trip to Sleeping Bear Dunes National Lakeshore, I used a couple of apps to find the right spot to shoot the setting moon. I needed something of interest in the foreground. What I hadn’t considered was that it would be dark and cold. I hadn’t given enough thought about how to balance a dark foreground against the brilliant light of a full moon. Still, I got this shot, which I like very much.

I chose to shoot the setting moon at a familiar spot, the Peter and Jenny Burfiend farm at Point Oneida in the Sleeping Bear Dunes National Lakeshore. Sunrise would follow the moonset by about 15 minutes, so as I stood in a field, the sky became brighter, allowing enough light that the granary was no longer silhouetted.

According to a map I have of Point Oneida, this is the old pig house on the Burfiend farm.

As the sun came up, I was surprised to see the beautiful fall colors still on the trees. This is the house on the Burfiend farm.

After the sun came up, I stopped by Bass Lake. I had stopped there three weeks earlier when the colors were just coming on

The colors were stunning.

After stopping at Bass Lake, I drove to nearby Narada Lake. The corner of the lake near the Sleeping Bear Heritage Trail had a thin layer of ice that would disappear later in the day.

The view across Narada Lake was every bit as stunning as that on Bass Lake.

In the shadows of Narada Lake I saw this reflection of the leaves and a single dead tree that was bleached white.

Lily pads were frozen in ice.

This is the barn on the Lawr farm, which adjoins the Burfiend farm.

George and Louisa Lawr established the farm in the 1890s and and continued to farm there until 1945.

My last site for shooting was along Westman Road, in the wetlands north of Tucker Lake. These berries caught my eye.

The bright yellow tree is a tamarack, also known as an Eastern Larch. Tamaracks are conifers that grow in the wet soils around swamps and bogs and near lakes. Unlike other conifers, each fall their needles turn bright yellow and fall to the ground.

These maples leaves had fallen onto the ice in the wetlands near Tucker Lake.

The weather forecast called for snow on the Leelanau Peninsula last evening. I am sure the next time I venture north, the area will present starkly different things to photograph.

Fall Colors on Hall Lake

I visited the Yankee Springs Recreational Area yesterday, south of Grand Rapids, to catch another glimpse of beautiful fall colors. I set up on the edge of Hall Lake to see what the morning light would bring.

Dew on these branches that overhang Hall Lake catch the first morning light against a backdrop of mist and fall colors.

Reflections of the clouds as they catch the first rays of sunlight.

When the sun rose, the riot of color was revealed.

While I was out seeking fall colors, this scene of leave in the shallows of Hall Lake caught my eye and looked best to me as a black and white image.